Monday, March 29, 2010

Pre class Jameson

Jordan, I must agree with you, after reading this I was almost in physical pain. This text is honestly excruciating. He uses so many examples and refers to so many authors, theorists and artists that everything he was saying became very confusing. But anyway, what I understood from this and was still very interesting is that postmodernism is believed to be a coupure from the past and from modernism could in fact just be a change, an innovation, a stage in capitalism. Jameson relates postmodernism with capitalism and claims that aesthetic productions today have become integrated into commodity production. He gives us Andy Warhol work as an example of this. Postmodernism he says is not a style but a cultural dominance. But he also says we have trouble representing are own time and culture therefore we pastiche the past. This blank irony, the neutral representation or imitation of dead styles is now becoming our global culture creating intertextuality. So everything is becoming pop culture as we adapt it to our era. Even history. This was to my mind one of the most interesting part of this essay. When authors, filmmakers, artist attempt to recreate the past, they do so with ideas and stereotypes of the past. These representations therefore become simulacra of history, as Baudrillard would put it. It cannot be truthful because we were not there or if so time distorts memory and becomes more subjective, twisting reality. What we have at work is therefore not historical literature or films but pop history. With this comes one of postmodernisms symptoms: the difficulty to represent our own time.

1 comment:

  1. Clem, excellent topic and one which I can agree with. This idea that we do not understand our own postmodern culture presents two outcomes: (1) a revert to nostalgic and comfortable styles of the past and (2) a contradicting identity crisis in understanding "postmodern." Clem, what i believe you were getting at when you say, "we pastiche the past," you mean we have an undying nostalgia for the past. It seems strange. I own a few NBA jerseys of players I loved watching when I was a child growing up in the 90s, but have no NBA apparel to represent any current players in the league. Over winter break, my mom actually asked me why I liked my John Stockton (NBA point guard during the 1980s and 90s) jersey so much; my response: "I don't know, I liked him when I was a kid."
    To stay on the topic of fashion, I (and I'm sure most students on campus have) noticed a growing trend in bright clothing, reminiscent of the tacky 80s fashion. Why? We have this strange fetish with nostalgia in our postmodern era. Do we not know what to make of our time?

    To explain what I mean by the latter point, I will refer you to a video I posted months ago on the blog:

    ( http://www.youtube.com/watch?v=hkCR-w3AYOE&feature=PlayList&p=599060200DB9C100&playnext=1&playnext_from=PL&index=32 )

    In this video, George Carlin (circa 2006) explains what it means to be a modern man, by which he means "postmodern man." Through the length of this bit, Carlin points out subtle contradicting ideologies and thoughts that compile the "modern man." It's an impressive piece of stand-up from Carlin and I implore that you watch it, let your mind soak it up, and analyze it as you please.

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